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the most money for the least work I ever earned.
Berlin, the divided city, was kept artificially alive by inputs of
money and projects to attract attention. One undistinguished effort
was the decision to make one segment of the six-segment film, "The
Oldest Profession" in Berlin, in an effort to jump-start the Berlin
film industry, which was dying because no one wanted to come to work
permanently in that hard-to-reach city, when it was easier and more
central to make films in Europe proper.
Since Raquel Welch was an American star in an American film, the
company wanted a star American photographer to do the stills. I had
had numerous exhibits by then and was approached to do the photos.
When I heard the subject and that it was really a vehicle for a big-busted sex symbol of the most ludicrous, to me, kind, I first
refused. Then, when they couldn't find anyone else in the
neighborhood, the producer invited me out personally and made a huge
pitch, offering a lot of money. I insisted that the only way I would
do the photos would be if I had a lot of leeway to do them as I
wanted, and that I could photograph the whole production of the film
for my own use.
He agreed, we signed an iron-clad contract, and I went to work.
Never was I so bored. Making films turuned out to be standing around
all day while every little detail was worked out and then filming for
maybe a few minutes. The photo of death in the Messraster Photos
section is a photo I made of a stored prop while trying to amuse
myself in between filming.
But I did take my work seriously and considered Welch a fellow
American, for whom I wanted to do the best. So when she appeared in
her first costume, with a big bu-bu (a red irritation) on her bosom,
I felt I should alert her to have it covered. So when she was brought
to me to portraits and I started to shoot, I gently pointed to the
abrasion and thought I was doing her a favor . She became very
difficult and then distant. I shot some more scenes that morning and
then, at lunch, he producer came over to me, very upset, and said
Miss Welch refused to work with me anymore and insisted they fire me.
He gave me a check for my whole contract and that was that. And I
kept all my film....what few rolls there were.
Out of professional morals, I never did anything with the photos. But
now, after 40 years, why not? I have no idea who the other actors
are. But the woman with her in this scene really had greater acting experience and 'stage presence'.
More photos will be posted as time permits.
© 2006 Mark B. Anstendig. All rights reserved.
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