The problem was keeping the various planes of the work recognizable
while preserving the brilliance of the tones and contrasts.
This is scanned from the original 9x12vm (4x55") negative made with a
Messraster focusing device in an Ilko large-format camera, with full
tilts and other camera movements to get the plane of focus closest to
all surfaces.
For image quality and resolution, there is nothing more possible.
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