This is one of the absolutely quintessential Messraster Photos.
The focus is exactly on the pupil of the dog's right eye (on the left in the photo). It is the eye that is ever so slightly forward of the
other eye.
Both eyes show ultimate photographic "plasticity", which is the
effect of three-dimensionality on a two-dimensional surface that
occurs only at and very close to the focal plane. The eyes stand out
and draw the viewer inexorably to them. It is difficult to look
anywhere else in the photo, as one's gaze is always drawn to the
focal-plane (focused) area. The eyeball looks totally rounded, the
various surfaces of the eye area are perfectly delineated as to their
distance in relation to each other. The eye area is absolutely NOT
flat-looking, as in most photos, especially those of that time
period. The tonal relationships of the gray tones that make up the
photo are perfect only around the eyes, where the absolute focus
lies. Yet that area permeates and gives the rest of the photo a
similar impression, because the focal plane is on a recognizable part
of the photo that actually is the most important image point.
And most wonderfully for me, the expression of the dog's inquisitive
gaze is exactly the way I remember him. That is the great benefit of
perfectly focused photos, especially of living creatures: the
expression is accurate! The people and animals I photographed back
then with the Messraster all come alive out of the photos with the exact expressions of the moment. I don't have to imagine them or try
to remember from them a mess of garbled, unsharp, flat-looking
inexact images. I have them there exactly the way they were.
And my marvelous, sweet, long-since-gone long-haired "Dachel" (Dachshund) Napoleon is always with me in my miraculously
accurate images that capture everything about him.
© 2007 Mark B. Anstendig. All rights reserved.
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