Heinz Oestergaard

This infinitely calm, exquisite face and look is the Oestergaard I knew and loved deeply. Somehow, he could be into everything, and yet outside of it. Things could be hectic, even frantic around him, and he could sit there sketching, designing, directing with a calm that comes only from having lived through hell and worse and from also having had access to all the disciplines available to modern man at the time.

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