Van Cliburn rehearsing the Beethoven 4th Piano Concerto with the
Berlin Philharmonic Orchestra in the newly built Berlin Philharmonie
(Philharmonic Hall).
Van was a good friend of myself and my roommate, Anthony Strilko,
during Juilliard. The week before he went to Russia for the famous
contest, he came over to our apartment, where Tony had a superb
Steinway piano, and played through all the non-orchestral-accompanied
works required for the contest for invited guests. After he played,
we served a supper. When supper was over, it was quite late. But Van
then sat down at the piano and played through the night into the
early morning hours. It was an inimitable experience, the highlight
of which was Chopin's Sonata in B Opus 58. When he came to the grand
statement of the great theme in the last movement, he didn't finger
the melody. He held his thumb firmly against his third finger and
played the melody with his whole arm and body. It was just amazing,
and spectacularly thrilling. I was sitting next to him on the piano
bench, and I have never seen anything like that.
Oddly, a couple of weeks later, the great pianist Raymond
Lewenthal, who had had his fingers broken by hoodlums, came by to
visit. His hands had recently healed, after many months, and he also
sat down to the piano to play for us....and played the same Chopin
Sonata. It was different, but Lewenthal was also quite thrilling. But
the point of this is that, in my experience, there are no
coincidences in this world.
When Van came to Berlin, we were in touch, and he invited me to come
to his rehearsals. These are the result.
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